I am drawn to the intimacy of touch—the way my fingerprints press into the material, the way light shapes a surface, the way history lingers in texture and form. Whether working in analog or digital photography, ink, or charcoal, I seek to create work that resonates on both a visual and emotional level. I am interested in the tension between presence and absence, the contrast between the fleeting and the permanent. Every frame, every composition, is an exploration of space, rhythm, and the balance between chaos and order.

Through photography, I capture more than just moments; I capture atmosphere, energy, and the weight of stillness. Each image becomes a poem of light and shadow, a meditation on form and narrative. My work ranges from intimate studies of human and organic forms to large-scale compositions that challenge perception, shifting the viewer’s sense of scale and perspective. Whether through high-contrast monochrome prints or rich, detailed color compositions, I craft images that invite contemplation and evoke a sense of depth beyond the surface.

Currently pursuing a Bachelor in Art and Design at the University of Oregon, I am immersed in an evolving dialogue between tradition and experimentation. My studies push me to bridge historical techniques with contemporary expression, blending classical methodologies with new media and interdisciplinary approaches. I thrive in the space where intuition meets precision—where technique serves emotion, and where every project is a dynamic interplay between material and maker, past and future, self and world.

Art, for me, is both a question and an answer. It is a process of searching, of discovering meaning through creation. It is about feeling as much as seeing, about presence as much as absence. I create because I must—because in the act of making, I find connection, understanding, and a place where thought, movement, and material converge into something greater than the sum of their parts.